Inspired by the true story of Michelle Carter's unprecedented "texting-suicide" case, The Girl from Plainville starring Elle Fanning is a Hulu miniseries that explores Carter's relationship with Conrad Roy III and the events that led to his death. Show creator Liz Hannah (The Post, Mindhunter) talks about tackling the true crime case: "I think the reaction from the media, the reaction from the general public towards Michelle and towards the case was very vitriolic, very much making her the villain... I'm very interested in the gray area of people and morality and ethics... as you start to peel away the layers, you realize just how little was talked about of what actually happened in this case, and what actually happened between these two people and the sort of mutual toxicity between the two of them."

Liz goes on to talk about how to handle the pressures of writing: "I think I would say just don't take things too seriously, and that doesn't mean that you shouldn't take it seriously.... I take my job very seriously. I feel incredibly fortunate and incredibly lucky to have this job and to be able to tell the stories that I've gotten to tell, and hopefully will continue to tell. I think earlier in my career, everything felt like the beginning or end of the world, and that's just not a good way to be creative at all."

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Based on the 2011 murder of Betsy Faria that resulted in her husband, Russ' conviction, though he insisted he did not kill her. This brutal crime set off a chain of events that would expose a diabolical scheme deeply involving Pam Hupp, played by Renée Zellweger. Creator/Showrunner Jenny Klein talked to Write On about bringing this true crime story to life: "We had a heavy research phase, and talked to as many of the real-life people as possible. And of course, this is a dramatic retelling, and some elements were fictionalized like timelines or composite characters. But we really did need to understand the facts to the best of our ability."

Jenny goes on to talk about her writing process: "Writing is rewriting. I feel like when you're starting out as a writer, I would love my first draft, and it's like, no, that's not the thing. It's going to go through so many phases and just try to find the joy in the rewrite the same way you did with the first draft. Now I love rewriting, and I can't wait to get notes and hear what other people read into it and do the next pass."

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King Richard tells the story of how tennis superstars Venus and Serena Williams became who they are after the coaching from their father Richard Williams, played by Will Smith. Academy Award® nominated screenwriter Zach Baylin talked to Write On about getting the depiction of Richard Williams right for this biopic: "Richard was just such a dynamic guy. It was what you look for in any kind of protagonist. [He had] had a very distinct voice… really driven, had very clear goals that he wanted to achieve. But he could be incredibly self-defeating and self-sabotaging, and he could get in his own way and in other people's way... that just felt like such a compelling character to me."

Zach goes on to talk about getting his start as a screenwriter later in life: "I didn't sell scripts until I was 34… when I was writing from the time I got out of college to when I moved to New York and started working in film production solely with the purpose of getting a job as a writer. But I didn't really meet a ton of other writers, and I did it very in isolation. I would say that was a big mistake. I don't know if I was being too private about the fact that I wanted to do it, or that I felt I wasn't ready to show people, but I realize now that just having that network around you of other people who are doing it, who can give you feedback and also give you encouragement -- the whole networking aspect of it is so frustrating, but it's so necessary."

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Winner of the Robert Altman Award at the Film Independent Spirit Awards, Mass is the story of the aftermath of a violent tragedy that affects the lives of two couples in different ways. Writer-Director Fran Kranz talks to Write On about his inspiration for the film: "It was the day of the Parkland shooting, where I got so overwhelmed. You know, this sounds like a strange thing to say, but there was a kind of timing to it, sort of a perfect timing of a vulnerability where I was just kind of a freaked out dad... feeling anxieties and concerns and fears that I had never felt before… and worried about the kind of country and things that she [my daughter] was going to growing up into. So I went down kind of a rabbit hole that started just mostly because I was sort of this concerned parent."

Fran goes on to talk about his writing process, or lack of one: "I don't really have a process yet, necessarily. I wish I could just like go to a Starbucks and write. I have to, like, disappear, like I have to really go deep and I try to get up before dawn, like before the sun is up so that I'm ready to go... I need as much on my side as possible to get these emotions going."

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